This is one of two furniture moving pads in partial install. I had to cover up the metal garage doors. All the boxes and trash in my garage made terrific soundproofing and all I had to do was wait until street traffic died out-except one thing. I did an experiment to prove the ancient advice that you could always record in your garage. If you have a different USB cable, even if it’s longer, it would be good to try it and see if the problem changed. It’s intended to connect things on your desk, not to something across the room. The “normal” USB cable is about a meter - 39 inches long. The last time we had people with ticks in the sound, it responded favorably to changing the USB cable. If you did the original rhythm in front of a class, you’d lose the people in the back row in the first ten minutes. However, we find the Goldilocks scenario that all sound techs live with: too much of a boost in this range, and sounds become harsh and edgy. If things sound dull or flat, a boost around this range (usually around 3k Hz) will liven them up. I know this isn’t exactly entertainment material, but still. This range is where the 'presence' in the human voice lies. Spaces between the phrases cut or “tightened up.” That’s your cut with over a full second of “air” missing. A 0.71 Q creates a smooth asymptote so you don’t end up with a boost to the frequencies above 90 Hz. uploads/default/original/3X/4/6/463a8b0f01b96a2e8310bdafa2ad7133f17b09ab.wav Starting Settings: Set the main frequency to 90 Hz with a 24 dB per octave roll off. Your posting seems to work, it sounds like you, and it passes ACX-Check. I was more concerned with rhythm and pace of the presentation. Most stuff on the pop charts today is pretty easy to figure out as they usually tend to stay in one key the whole song and not really change much, and usually use either the major or minor scale.Īlot of older jazz songs can have you guessing for a while because of the complexity but usually after enough practice it gets easier.I’ll go back and listen again. I'll admit some songs are easier than others. For monophonic tracks Melodyne works like a charm however.Ībleton's Audo to midi somewhat crudely does this as well I think (never used that feature).Īs others said doing it by ear isn't as hard as it sounds, you just have to figure out what is the root note the song seems to resolve to, and search for that note on the keyboard, once you find it, you have to key of the song. It is supposed to be able to analyze whole songs and comeback with the original notes within chords. Melodyne supposedly does this but it is expensive. Jimmyprice wrote:Hey I'm trying to find the note of a few Audio samples i have (there just basic synth samples) seeing as i lack any proper musical background I'm having a lot of trouble doing it by ear.ĭoes anybody know nay programs or plug ins that would be able to help me? Happy to help, now I'm going to go play more music. if it's a loop, name the sample with key and also bpm. Just a reminder, rename the file to whatever key you find out the sample is. Some samples may need tuning up or down in cents as well, for fine tuning always have a reference point. it helps to know scales and recognize intervals when you hear them. be gentle on your ears and don't overstrain them. A quick side-note about speaker/room correction. filter out the frequencies to get a bolder peak on the sample.Įars work, but you have only one set of ears for the rest of your life. The other tutorials usually tell people to use pink noise and sinewave generator, and while those are useful tools, they are not the easiest or most reliable for people who are inexperience in critical audio assessment at the professional level. There are great workarounds for finding the key also on the EQ eight in Ableton. unless you like the sound better when it's modulated. These work to find the key then disable them. The second is corpus, works to have the key ring into the sample by adjusting the dry/wet knob. tell
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